The Merkabah and a Sixth Sense - A Practical View (Annotated)

"The idea or reality of the esoteric chakra system may or may not be relevant to the phenomena I am referring to - from what I gather, the chakra centers are considered symbolic and psycho-spiritual and have no apparent physiological manifestation - but, as I am not aware of any other "maps" at my disposal, contemporary "subtle energy" diagrams provide one place to begin the inquiry.

In the tradition of the Eastern mystics - and Western alternative healers - the chakras (Sanskrit for "wheels") are basically 7 main energy vortices or focal points that lie along the spinal column and skull. The uppermost point, and the one that concerns us here, is generally known as Sahasrara, the seventh, or "crown chakra". In some systems, the seventh chakra lies directly at the top of the head, but in others it lies above. In some systems there are a number of energy centers above the head - the uppermost, and the one that corresponds to my sensory zone is sometimes referred to as the "transpersonal point". In all chakra literature, the crown chakra's primary function seems to serve as a conduit for consciousness, generally of the "cosmic" or collective variety."

- From a web article "Non-Local" Causes and Effects on the Human Body (Tactile Sensations from a distance), Dia Sobin, uploaded 2007 (see: .pdf).


(Added June 9th 2020):

"I can't explain the science behind it, but I just tried it for myself - raised my hand to above the top of my head, and I could feel a sensation like the hairs standing on end - only in a small spot, nothing dramatic, but a definite tingling. I don't think I was imagining it because I can still feel the tingling now."

- A comment left on Posthuman Blues post in 2007 by "Bumble," a female reader of Mac's. His post links to the original web article mentioned above, although the link is now broken. I just found this comment recently and it made me smile. From her description, It seems the woman did, indeed, find the epicranial occult locus.

***

No, it's true, I wasn't lying. I am "exiting the blogosphere." Unfortunately, I spent so much time laying Post-Mac Blues to rest, I haven't had time to deal with Trans-D at all. Meanwhile March has arrived. It still looks like January where I am, mind you, and, yet, it could always be worse... it could look like war. But, as is apparent (and not out-of-character), I was a bit premature when designating "Imbolc" as the "last post". There will be this post and one more to come. I'm aiming for exactly 90 posts. It's a matter of symmetry and symbolism.  Esoterically, the number 9 is the perfect place to tie up loose ends and let loose the finished "product" - ones little spaceship careening towards the galaxy's edge.




How poetic.

But then, my muses - and/or my unconscious self - have/has an agenda... and, generally one I can't figure out till the last phase of a project. The agenda of this post started innocently enough. My urge was to post another scan. On a whim I had scanned into this machine a small crystal Merkabah - a recent birthday gift from my friend, Moo. As we know, I love minerals, and scanning them sometimes provides startling results. So, allow me to explain the scans above and to your left.

First off, Merkabah is an esoteric name given to a certain polyhedron - essentially a triakis octahedron and/or a stella octangula... It has a kind of weird shape that combines both the cubic and the hexagonal - in other words, viewed from one angle it looks square, from the other it resembles a 6-pointed star (hence the "stella"); this is a result of the fact that it is comprised of two interlocking tetrahedrons. Kind of like physical reality. My aim was to capture both angles via my flatbed scanner. To this end I taped my Merkabah - with packing tape - to the inside of a shallow box. Posted above are the results. Posted below (and below the jump) are the same scans with the tape digitally removed.

But, it's the light artifacts in the tape which interest me. While its true that cellophane material will create some cool image scans, I was a little startled by the weird effects produced in conjunction with the crystal polyhedron. Let's just say that, optically, light had a field day. One might also be inclined to consider certain myths concerning the Merkabah in a more sympathetic light.

Originally, the word "Merkabah" arose from early Judaic mysticism and referred to the "chariot of God", specifically that envisioned by the prophet Ezekial.  Of course, nothing is so sacred that it can't fall under the auspices of New Age jargon (or, for that matter, Ancient Alien lore). But, kernals of truth are found in the strangest of places.

The Jewel - Image and Premonition

The Jewel - Digital - 2006, Dia Sobin

She looks like some exotic, tattooed, Middle-Eastern cat-woman - possibly a court card from the Tarot of the Cat People - and was the first of my enigmatic hybrid creatures; but, I have a strange amnesia about this image, and how it emerged. And, it's difficult to talk about, because it's emergence coincided with the death of my mother in 2006; a harrowing, catastrophic period in my life (and hers), which I'd give anything to forget.

But, the point of this post - and the one which will follow it - is an attempt to discuss the paranormal aspects of art, specifically, art as imagery. Which is not to say the word "paranormal" appeals to me, because it doesn't. I prefer to refer to all of the weirder, inexplicable, and/or misunderstood varieties of human experience as transdimensional* - precognition, telepathy, ghosts, aliens, UFOs, faeries, the whole lot. In other words, I feel that all these human experiences are very real, and valid. Why we fail to understand them is because, in spite of all we think we "know", we don't "know" enough. We may never know enough.