Above are a few examples of the numerous editions of Kurt Vonnegut's 1969 novel Slaughterhouse Five (or The Children’s Crusade: A Duty-Dance with Death), compiled by Emily Temple (2019) and found in the Literary Hub article, The 50 Best Slaughterhouse Five Covers from Around Around the World.
From upper left to lower right (publisher, language, date): Vintage Classics (USA) 2024, Points (French), 2016, Knygos (Lithuanian), 2017, Mondadori (Italian), 1988.
The Rosy Spade meme has taken me to some pretty strange places since the first day I envisioned it, on February 13th of this year. And, it's been a long and winding road. There is no real way of rationalizing this journey. I seem to be unconsciously following some intuited breadcrumb trail with no consciously known goal. And, weirdly enough, those dates, February 13 and 14, seem to keep popping up throughout my research like little red flags, although not necessarily in a Friday the 13th nor a Valentine's Day aspect..
Recently, the name Kurt Vonnegut came to me... as I compulsively grappled with how best to describe the present (absurd) state of American affairs (an unfortunate factor that can't be dismissed). It's as if someone whispered it in my ear. Eureka!, I thought, Kurt Vonnegut, exactly. The second thought that came to my mind was Slaughterhouse Five, a novel I once read in my rebellious, energetic youth... a time when many of us still believed everything could, should, and would eventually make sense. Vonnegut warned us about that delusion. But, like most children, we didn't listen.
Inset left is a photo of Vonnegut with his signature unfiltered Pall Mall which he unapologetically chain-smoked until his (unrelated) death at the age of 84.
As it happened, in keeping with the Rosy Spade's "birthday," February 13 & 14 would put in an appearance once again... in the darkest of ways. Read on.
Kurt Vonnegut believed in the power of art. If he hadn't he would never have had the courage, stamina or creative fire to complete his 1969 novel, Slaughterhouse Five, based upon his horrifying experiences during the bombing of Dresden (which began on the night of February 13, and continued throughout February 14, till the 15th, 1945) near the end of World War II; an undertaking which took him over 20 years to accomplish.
It is now considered the pre-eminent anti-war novel of its time... possibly, of all time. And it's numerous, international incarnations over the past 57 years give testament to the novel's lasting power and relevance. But, it came at a great cost. The memory of the harrowing experience which compelled Vonnegut to write the novel never entirely left him.
Inset right is the cover of the Mladá fronta (Czech) edition from 1973. It has a great graphic treatment which seems to add it's own dimension to the story. And, you might say, this is true across the board. Art interprets art. Does language play any part in this process? Take, for instance, the most painterly and elegant of the editions, the French edition, with the less harsh-sounding title of "Abattoir 5."
Abattoir, Abatorul, Bitúnok, Jatka, Lò mổ, Matadouro, Mattatoio, Mezbaha, Rzeźnia Schlachthof, Slakthus, Skerdykla, Slachthuis, Slagtehal, Teurastamo... Who knew there were so many diverse ways to say the word "slaughterhouse"?
Inset left is a German edition published by HoCa-Belletristik in 2016. Note it's sophisticat design but somewhat grim image ... and then compare it to the Lithuanian edition with the huge, cartoonish bird, or the Italian edition with the comic book action graphic. While each is powerful in its own way, they might be covers from different novels altogether.
Importantly, Slaughterhouse Five is a difficult novel to portray in a single graphic image. It is not your standard novel. Below is its (lengthy) title page, fashioned like a prose poem and not as straightforward as we might wish. It almost stands as a reminder: what you are about to read is not an ordinary novel; it is intended to represent a new literary (schizoid) art form.*
____________________________________________________________________________________________
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Slaughterhouse-Five
OR THE CHILDREN’S CRUSADE:
A DUTY DANCE WITH DEATH BY
Kurt Vonnegut, Jr.
A FOURTH-GENERATION GERMAN-AMERICAN
NOW LIVING IN EASY CIRCUMSTANCES
ON CAPE COD (AND SMOKING TOO MUCH),
WHO AS AN AMERICAN INFANTRY SCOUT
HORS DE COMBAT,
AS A PRISONER OF WAR,
WITNESSED THE FIRE-BOMBING
OF DRESDEN, GERMANY,
“THE FLORENCE OF THE ELBE,”
A LONG TIME AGO,
AND SURVIVED TO TELL THE TALE.
THIS IS A NOVEL SOMEWHAT IN THE
TELEGRAPHIC SCHIZOPHRENIC MANNER
OF TALES OF THE PLANET TRALFAMADORE,
WHERE THE FLYING SAUCERS COME FROM.
PEACE.
____________________________________________________________________________________________
So, although at its heart it is an anti-war story, it is a also a historical novel based on fact. It is a semi-biographical novel. It is also, very possibly, a thinly-veiled case-study of Post-Traumatic Stress Disorder. But, beyond that, it is an existentialist, absurdist commentary and a satire.
And, yet, what most of the Slaughterhouse 5 book jackets fail to convey, is that the novel is also, both in spirit and fact, a science-fiction tale. It has all the qualifying elements: time travel, an exoplanet and an alien abduction involving some very freaky extraterrestrials.How freaky? Well, the Vintage Press edition introducing this post - the falling hand with the central eye - actually represents an alien intelligence.
Inset left is one book jacket which carries the science fiction theme further. In it's almost childlike illustration we're confronted by a destitute soldier crouching next to what appears to be a unusual plant-like creature with a body resembling a toilet bowel plunger topped by a hand-shaped head with a single green eye in the center. This entity is a Tralfamadorian who (pun intended?) helps Billy Pilgrim become "unstuck" in time. In other words, unless the creature is in disguise, it is clearly a metaphor.**
Tralfamadore is also discussed in this Post-Mac Blues cross-post: A Post-Birthday Greeting from Tralfamadore.
(Continued below the break...)
