A Tale of Two Symmetries: A Lover's Pentacle, A Lover's Cross (updated 11/17/16)

Illustration from "Alice's Adventures in Wonderland" - 1907, Arthur Rackham
(All images in this post can be clicked on for larger views.)

Alice Takes Another Leap

"What IS a Caucus-race?’ said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that SOMEBODY ought to speak, and no one else seemed inclined to say anything.
`Why,’ said the Dodo, `the best way to explain it is to do it.’ (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.)

First it marked out a race-course, in a sort of circle, (`the exact shape doesn’t matter,’ it said,) and then all the party were placed along the course, here and there. There was no `One, two, three, and away,’ but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over."

- Excerpt from Alice's Adventures in Wonderland (Chapter 3) found here.

"The Dodo is a fictional character appearing in Chapters 2 and 3 of the book Alice's Adventures in Wonderland by Lewis Carroll (Charles Lutwidge Dodgson). The Dodo is a caricature of the author."

- From the Wiki entry for the Dodo in Alice's Adventures in Wonderland. (Note: the now-extinct dodo was the first example of humanity's ability to wipe out an entire species.)

***

Earlier this year, when I was first inspired to write a series of posts on the topic of Love, I was at loss for a central focus. The topic of Love is vast; where to begin... and how? As a visual artist, it's almost as if I needed a metaphorical image, a symbolic embodiment of the myriad ideas and images that began to flood my mind. Had I no muse, no intuition, no relationship with my unconscious mind (and no respect for spontaneous inspirations), the entire project would've floundered from day one. But, this is not the case. I love leaping down rabbit holes! I am the Alice of all Alices, when it comes to pursuing mysterious prompts from the unconscious realm.

As it happened, my first clue arrived in the form of a sudden attraction to an old graphic of mine: a three-headed "sacred" bird I created several years ago as an experiment in creating faux elements; in this case, transforming a plaster carving into a wooden one. (see inset, left). I found myself playing with this image - and, when you come right down to it, unpremeditated play is probably the best way to initiate a dialogue with the unconscious - flipping and juxtaposing copies of the image side by side. I noticed that when the birds faced each other, their necks and their backs formed the shape of heart. I cropped their legs off and this became the first image. But, I also felt the full body mirrored images were intriguing as well and realized I could use all three designs if I created a box in three dimensions.  The idea of making it a music box was the true epiphany - the eureka moment - when the concepts of the language of the birds and the power of Love were united. In other words, I found my metaphor; the Music Box was born...

The Restoration of Symmetry: The Philosopher's Stone

The illustration for Michael Maier's 21st alchemical Emblem
from Atalanta Fugiens, by Swiss engraver, Matthäus Merian, 1617.
(All images in this post can be clicked for their original, larger size.)

The Philosopher's Stone

"Make of the man and woman a Circle, of that a Quadrangle, of this a Triangle, of the same a Circle and you will have the Stone of the Philosophers.

...In like manner the Philosophers would have the Quadrangle reduced into a Triangle, that is, into a Body, Spirit and Soul, which three appear in the three previous colours before Rednesse: that is, the Body or earth in the Blacknesse of Saturn, the Spirit in the Lunar whitenesse as water, and the Soul or air in the Solar Citrinity. Then the Triangle will be perfect, but this again must be changed into a Circle; that is, into an invariable rednesse, by which operation the woman is converted into the man and made one with him, and six the first of the perfect numbers is absolved by one, two having returned again to an unity in which there is Rest and eternall peace."

- From Emblem 21 of Michael Maier's alchemical test, Atalanta fugiens, 1617.

"The theoretical roots outlining the stone’s creation can be traced to Greek philosophy. Alchemists later used the classical elements, the concept of anima mundi, and Creation stories presented in texts like Plato's Timaeus as analogies for their process. According to Plato, the four elements are derived from a common source or prima materia (first matter), associated with chaos. Prima materia is also the name alchemists assign to the starting ingredient for the creation of the philosopher's stone. The importance of this philosophical first matter persisted throughout the history of alchemy. In the seventeenth century, Thomas Vaughan writes, "the first matter of the stone is the very same with the first matter of all things".

- From the Wiki entry for Philosopher's Stone.

"Dr. Sigismund Bacstrom believed that if a physician could establish harmony among the elements of earth, fire, air, and water, and unite them into a stone (the Philosopher's Stone) symbolized by the six-pointed star or two interlaced triangles, he would possess the means of healing all disease. Dr. Bacstrom further stated that there was no doubt in his mind that the universal, omnipresent fire (spirit) of Nature: "does all and is all in all." By attraction, repulsion, motion, heat, sublimation, evaporation, exsiccation, inspissation, coagulation, and fixation, the Universal Fire (Spirit) manipulates matter, and manifests throughout creation. Any individual who can understand these principles and adapt them to the three departments of Nature becomes a true philosopher."

- From the The Secret Teachings of all Ages by Manly P. Hall, 1929.

"Associated with spontaneous symmetry breaking is the phenomenon of symmetry restoration. If one heats a system that possesses a broken symmetry it tends to be restored at high temperature. ... Above the critical temperature the system exhibits rotational symmetry. Such a transition from a state of broken symmetry to one where the symmetry is restored is a phase transition. We believe that the same phenomenon occurs in the case of the symmetries of the fundamental forces of nature. Many of these are broken at low temperatures. Very early in the history of the universe, when the temperature was very high, all of these symmetries of nature were presumably restored. The resulting phase transitions, as the universe expanded and cooled, from symmetric states to those of broken symmetry have important cosmological implications."

- An excerpt from David J. Gross's The role of symmetry in fundamental physics, 1996.

***

I suppose the "Restoration of Symmetry" seems like a rather coldly analytical approach to Love, but, for a "geometer moth"  - that is, those of us for whom connecting-the-dots, so to speak, is an integral part of our nature - finding the hidden codes which help describe the world in which we live is not so much what we do, but what we are. And, like the geometrid, we do not tenaciously hide this information from view - as if it were knowledge we, alone, had access to - but, instead, wear the information on our metaphorical wings... or the skin of our backs. That is to say, we display information; we are unable to secret it away.

A contemporary glyph for Maier's diagram shown in his 21st emblem (above).*

Symmetry is a word that has tremendous importance in the world of science - in physics, chemistry, mathematics, biology, and, yes, even philosophy - in which its definition varies somewhat, but, ultimately, refers to the similar phenomenon one finds in art and geometrical figures. Basically, it refers to physical parts, properties, or processes which are equivalent in two or more directions. The circle is a figure which, for instance, is geometrically equivalent in all directions, and is thereby described as having rotational symmetry. The Philosopher Stone glyph shown above - a modern interpretation of German alchemist (and counsellor to Emperor Rudolf II) Michael Maier's emblem (circa 1617) (artist unknown) - has bilateral symmetry, in that if a line is down its center, each side is exactly equivalent to the other, although seen in reverse. This can also be referred to as reflective symmetry as one side effectively mirrors the other.

The Merkabah and a Sixth Sense - A Practical View (Annotated)

"The idea or reality of the esoteric chakra system may or may not be relevant to the phenomena I am referring to - from what I gather, the chakra centers are considered symbolic and psycho-spiritual and have no apparent physiological manifestation - but, as I am not aware of any other "maps" at my disposal, contemporary "subtle energy" diagrams provide one place to begin the inquiry.

In the tradition of the Eastern mystics - and Western alternative healers - the chakras (Sanskrit for "wheels") are basically 7 main energy vortices or focal points that lie along the spinal column and skull. The uppermost point, and the one that concerns us here, is generally known as Sahasrara, the seventh, or "crown chakra". In some systems, the seventh chakra lies directly at the top of the head, but in others it lies above. In some systems there are a number of energy centers above the head - the uppermost, and the one that corresponds to my sensory zone is sometimes referred to as the "transpersonal point". In all chakra literature, the crown chakra's primary function seems to serve as a conduit for consciousness, generally of the "cosmic" or collective variety."

- From a web article "Non-Local" Causes and Effects on the Human Body (Tactile Sensations from a distance), Dia Sobin, uploaded 2007 (see: .pdf).


(Added June 9th 2020):

"I can't explain the science behind it, but I just tried it for myself - raised my hand to above the top of my head, and I could feel a sensation like the hairs standing on end - only in a small spot, nothing dramatic, but a definite tingling. I don't think I was imagining it because I can still feel the tingling now."

- A comment left on Posthuman Blues post in 2007 by "Bumble," a female reader of Mac's. His post links to the original web article mentioned above, although the link is now broken. I just found this comment recently and it made me smile. From her description, It seems the woman did, indeed, find the epicranial occult locus.

***

No, it's true, I wasn't lying. I am "exiting the blogosphere." Unfortunately, I spent so much time laying Post-Mac Blues to rest, I haven't had time to deal with Trans-D at all. Meanwhile March has arrived. It still looks like January where I am, mind you, and, yet, it could always be worse... it could look like war. But, as is apparent (and not out-of-character), I was a bit premature when designating "Imbolc" as the "last post". There will be this post and one more to come. I'm aiming for exactly 90 posts. It's a matter of symmetry and symbolism.  Esoterically, the number 9 is the perfect place to tie up loose ends and let loose the finished "product" - ones little spaceship careening towards the galaxy's edge.




How poetic.

But then, my muses - and/or my unconscious self - have/has an agenda... and, generally one I can't figure out till the last phase of a project. The agenda of this post started innocently enough. My urge was to post another scan. On a whim I had scanned into this machine a small crystal Merkabah - a recent birthday gift from my friend, Moo. As we know, I love minerals, and scanning them sometimes provides startling results. So, allow me to explain the scans above and to your left.

First off, Merkabah is an esoteric name given to a certain polyhedron - essentially a triakis octahedron and/or a stella octangula... It has a kind of weird shape that combines both the cubic and the hexagonal - in other words, viewed from one angle it looks square, from the other it resembles a 6-pointed star (hence the "stella"); this is a result of the fact that it is comprised of two interlocking tetrahedrons. Kind of like physical reality. My aim was to capture both angles via my flatbed scanner. To this end I taped my Merkabah - with packing tape - to the inside of a shallow box. Posted above are the results. Posted below (and below the jump) are the same scans with the tape digitally removed.

But, it's the light artifacts in the tape which interest me. While its true that cellophane material will create some cool image scans, I was a little startled by the weird effects produced in conjunction with the crystal polyhedron. Let's just say that, optically, light had a field day. One might also be inclined to consider certain myths concerning the Merkabah in a more sympathetic light.

Originally, the word "Merkabah" arose from early Judaic mysticism and referred to the "chariot of God", specifically that envisioned by the prophet Ezekial.  Of course, nothing is so sacred that it can't fall under the auspices of New Age jargon (or, for that matter, Ancient Alien lore). But, kernals of truth are found in the strangest of places.