Monday, July 8, 2019

Artistic Empowerment in a Dark Age

Hello again. Just in case you thought I died, I thought it might be a good idea to drop by and put in an appearance.

Below is something I was inspired to write yesterday. It felt like it came out the blue but, when I got to thinking about it, I realized that what I'd done was list some of the underlying elements of empowerment I'd discovered during the course of researching and writing about other artists. (Re: the empowerment posts of which 2 are yet-to-come). (Yes, you heard right: the initial "last" empowerment post has propagated into 2...)(And, yes, I'm living in a metropolis of rabbit-holes!)

Anyway, the list is not gender-specific. Also, although I'm not sure how much of it will hold up in the coming months, there's a chance I'll be referring to it again. Or scrapping it altogether.

Incidentally, the small oil paintings appearing here were painted early in my artistic herstory and were precursors to the images found here. I wish I had access to a similar sort of list then!

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10 Strategies for Survival as an Artist


I. Don't feel as if you must always "go it alone." Join a group, form a collective. There is safety and strength in numbers. Even if you must initially isolate yourself always keep in mind that there are individuals like yourself who need to express themselves in similar ways. Keep an eye out for them. You may need help that only they can provide... and vice versa. Create a Movement; it draws attention. While categorization is a superficial goal, having a general location - politically, stylistically or philosophically - might work to your advantage.

2. When in doubt, build larger. The meek do not inherit the earth. If you believe in what you are doing then make a bold statement. It is a statement which will become a part of the historical and herstorical records. Like the Egyptian pyramids, it will last indisputabley; it will be impossible to overlook or ignore.

3. Do something unexpected. Surprise yourself. Don't be afraid to evolve. Make your work a playground... a laboratory.

4. Express yourself in several dimensions. Likewise, find your inspiration in several more; many dimensions of experience are layered within the psyche. An artist needs to explore these hidden dimensions... to go where few humans have gone before. In a sense it is an artist's job, his or her truest vocation. We are here to explore the hidden, the forgotten, the damned, the invisible... the places no one looks for truth... the places it hides.

5. Find support... whether it's in the form of a mentor, a patron, a benefactor, a partner or a true friend. Know your allies. Realize that fate may not always come to your rescue, but that your inner self will champion you at all times. Your true fortitude, your salvation, lies within. Meanwhile, you may have to take on laborious jobs for physical survival...  or utilize commercial ways to finance larger projects, but never let a source of income be your only guide and never let the dictates of society weaken your resolve. Demand the society of angels.

6. Celebrate your physical legacy; embrace your genetic heritage: the people and places you originated from. And, then, rise above them. You are a unique expression in a continuum. You are a new explication in a morphic field.  You are an alchemical point in which all symmetries are unbound and a crucible in which all impossibilities are born. Through you new landscapes emerge and dreams achieve substance.

7. Celebrate yourself. It's uplifting to expand your expression to include your appearance. Be a child dressing up in a mirror. But don't, for any reason, let current trends or societal prejudices define your choices... specifically those dealing with weight, gender, chronological age, and skin color. Gender profiling is passé. Age profiling is society's way of creating new landfills. Skin color is only relevant here when choosing a complimentary shade of accessory. Defy convention. Have fun. Pretend you have just met yourself for the first time.

8. Find your inner, mysterious "other half" who compliments and completes you. Jung referred to this entity as the animus - a woman's inner man - and the anima, a man's inner woman. But, this wasn't merely psychobabble; the anima and animus exist. And, for an artist, acknowledging and accepting this dual-gender aspect in their psyches is crucial to initiate, enrich and perpetuate all creative acts. The greatest, most effective art is not sexist in a derogatory way; your inner opposite enables you to rise above sexism. Moreover, It will enable you to express your humanity as a whole person without recourse to superficial displays of worn-out gender tropes.

9. Find joy in your creations. This is the truest, most heroic subversion of all the falseness you have been taught and indoctrinated to believe. You are not here to suffer. You are here to overcome suffering. Let your muse show you the way. Illustrate what you've learned. Sing, if only to yourself. Write poetry (it renews the spirit). Dance wherever it is not allowed.

10. Set all winged creatures free.


12 comments:

  1. Love the art - particularly pieces 3 and 4 (counting as they appear from the top). As for the guidelines - always nice to be reminded!

    Glad to see a new post!

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  2. 3 & 4? Hmmm... must be a masculine thing.... I like 2 & 5. ;-)

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  3. Pffft...you must have been in contact with your animus in that case ;)

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  4. No, you misunderstand.. my animus would have gone with the same images you chose... the, um, projectile shapes.
    Well, that's my (sexist) theory anyway. ;-)

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    1. no..no..no...I MEANT that when you created them, you must have been in contact with your animus....hence the reason I liked those the best. Projectile...indeed. Well...#4 DOES look like a rocket ship and that's always near and dear to my heart.

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  5. Oh, I see. Yes, you're probably right. At the time, I referred to "him" as my "geometry muse" and hadn't yet made the connection. But, as much as I'd love to discuss muses, well, it's a sub-rosa thing. The shape thing is an interesting phenomena though. I do think women artists tend to relate to round and egg shapes while men tend to relate to projectiles... and there's a number of (obvious) metaphors there... which we need not explore!

    BTW, I just noticed all those lovely round bowls on your blog... anima? :-)

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    1. Anima and the fact that the wheel - she goes round and round, eh what?

      ;)

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  6. Ah, yes, but what drew you to the wheel, eh, boy? ;-)

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    1. Ah....the Great Question. I have NO idea -- perhaps watching too many YouTube videos of potters potting pots and it looked fairly simple. Where the HELL is truth in advertising???

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  7. Well, In that case, the operative question would be... oh, never mind.

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  8. This is fantastic - I wrote a post years ago on Giger's advice to aspiring artists, but your list tops it, Dia. A thank you to you for recent help: https://historiesofthingstocome.blogspot.com/2019/07/bereavement-and-responsibility.html

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  9. Thanks, LC. Yes, I saw your Giger post. Well, my list is certainly shorter than his... but then, it has more to do with surviving as a creative human than doing art.

    I'm happy to see you blogging again... as far as my "help," don't even mention it. I did nothing more and probably less than a friend would do.

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