The Paleolithic Artist

Ancient handprints from a Borneo cave

"An archaeologist’s analysis of ancient handprints could overturn decades of male bias regarding the origin of cave paintings.

Prehistoric hand stencils have been found with cave paintings across the world, but, because the art mainly features game animals such as bison and mammoths, the weight of scholarly opinion is that they were made by male hunters as a record of their kills.

However, Dean Snow of Pennsylvania State University studied hundreds of hand stencils in 8 cave art sites in France and Spain and, based on their finger length, determined that three-quarters of them were made by women."

- Sandra Rimmer via an October 9th, 2013 article found here

No, Trans-D is not becoming a news site... but, I couldn't resist posting this tidbit!

See also: The Daily Mail article , the National Geographic article, or this, from Phys.org.

:-)

***

Photo of Moche pottery found here

"This find makes it clear that women didn't just run rituals in this area but governed here and were queens of Mochica society," project director Luis Jaime Castillo told AFP. "It is the eighth priestess to be discovered. Our excavations have only turned up tombs with women, never men."

...And, while I'm at it, for new tidbits illuminating a slightly more "contemporary" time in ancient herstory, see these articles about the recent archaeological discoveries regarding the Moche civilization, and the Lady of Cao: Tomb find confirms women ruled ancient Peru and Girl power in ancient Peru confirmed.

Patron Saint #10: Deborah Remington - The Future Looks Back

Ackia -  color screenprint - 1975, Deborah Remington

“My work concerns the paradoxes of visual perception, the enigmas and quirks, and how it all forms the basis for our realities. The impact, excitement, and energies created by incongruity, juxtaposition and opposites all interest me.

The images are couched in paradoxical terms and must challenge the mind’s eye, must invoke opposites and hold them in tension. The work at times seems to refer to something in reality, but then the reference is denied. Identity; the fusion of so many experiences, so many inquiries, so many intuitions is also a primary issue.”

- Deborah Remington, from a quote found here.

"...Drawing doesn’t have to have color for me. The Japanese would always say, ‘Can’t you see the color there in the black and white?’ It’s implied, and if you’re a really good artist and if the paintings are wonderful enough and if they really sing, then the viewer gets a sense of color. That influenced my work a lot, mostly the philosophy of calligraphy.”

- Deborah Remington, from Inside and Around the 6 Gallery with Co-Founder Deborah Remington 

(via a 2008 interview with Nancy M. Grace)

"Anyway I followed the whole gang of howling poets to the reading at Gallery Six that night, which was, among other important things, the night of the birth of the San Francisco Poetry Renaissance. Everyone was there. It was a mad night. And I was the one who got things jumping by going around collecting dimes and quarters from the rather stiff audience standing around in the gallery and coming back with three huge gallon jugs of California Burgundy and getting them all piffed so that by eleven o'clock when Alvah Goldbook was reading his, wailing his poem "Wail" drunk with arms outspread everybody was yelling "Go! Go! Go!" (like a jam session) and old Rheinhold Cacoethes the father of the Frisco poetry scene was wiping his tears in gladness."

- Excerpt from The Dharma Bums by Jack Kerouac, 1958

"I saw the best minds of my generation destroyed by 

              madness, starving hysterical naked, 

       dragging themselves through the negro streets at dawn 

              looking for an angry fix, 

       angelheaded hipsters burning for the ancient heavenly 

              connection to the starry dynamo in the

machinery of night, 

       who poverty and tatters and hollow-eyed and high sat 

              up smoking in the supernatural darkness of 

              cold-water flats floating across the tops of cities 

              contemplating jazz, 

       who bared their brains to Heaven under the El and 

              saw Mohammedan angels staggering on

tenement roofs illuminated, 

       who passed through universities with radiant cool eyes 

              hallucinating Arkansas and Blake-light tragedy 

              among the scholars of war..."

- The initial lines of Howl by Allen Ginsberg, 1955, found here (with audio).

“This was the time of the Rosenbergs and the [Estes] Kefauver hearings, the Hollywood blacklisting. It was horrible. The police were everywhere, and it was kind of a fascist country. This was the climate within which and against which we were working. We were trying to break all the rules. It didn’t matter: you just broke the rules. You rarely got anything substantial out of it, but by hit and miss we did.”

- Deborah Remington, from Inside and Around the 6 Gallery with Co-Founder Deborah Remington (via a 2008 interview with Nancy M. Grace)

***

"It was a great night, a historic night in more ways than one..." wrote Jack Kerouac in 1958, for his semi-autobiographical Beat novel, "The Dharma Bums." He was referring to an actual event, a poetry reading that took place in a San Francisco art gallery - the 6 Gallery - October 7, 1955. 

In his thinly veiled account, Kerouac mentions a number of Beat luminaries on the scene that night.  Alvah Goldbook was, of course, the poet, Allen Ginsberg, who astounded the crowd with an impassioned reading of his definitive poem "Howl". "Old Rheinhold Cacoethes", on the other hand, was Kenneth Rexroth, while Kerouac's close friend friend, Gary Snyder, appears as Japhy Ryder. Earlier, he mentions a "delicate pale handsome" poet, Ike O'Shay, referring to a very young Michael McClure*. Of that night, McClure would later write: "Ginsberg read on to the end of the poem, which left us standing in wonder, or cheering and wondering, but knowing at the deepest level that a barrier had been broken, that a human voice and body had been hurled against the harsh wall of America..."

Deborah Remington as an art student in the 1950s - Photo credit: unknown
Currently found: Remington's NYT (2010) obituary (click to enlarge)

Oddly enough, one figure who does not enter into Kerouac's fictional account - although, certainly worthy of a mention - was a six-foot tall, redheaded woman** - and one of the six Beats who owned the gallery - artist, Deborah Remington. (Her co-owners were artists, Wally Hedrick, Hayward King and David Simpson, and the poets, John Ryan and Jack Spicer.) Granted, Kerouac was loaded on California Burgundy - Dionysus being the god of lost histories - and focused on the Beat literati, but, it's hard to imagine that such a strikingly beautiful young woman would've fallen outside his radar. Then again, judging by her own brief account (via an interview excerpt included in this .pdf file), Remington fails to recall the presence of Kerouac and several members of his poetic posse that night. Go figure.

A Cosmic Nest (w/ footnote) (& A Restored Musical Link)

A Cosmic Nest - digital - 2013, DS
(Click to enlarge.)

"... I also realized (in the dream) that the universe was not infinite, but, was like a round area bordered by a ring of space which was a different dimension bordered by other dimensions. (?) The Saturn-shape comes to mind.

Also, there are other universes next to this one... as there are other galaxies and solar systems. The pattern of eternity (this universe arrangement) would look like a field w/ all these Saturn-shapes polka-dotting it."

- quote (recounting an actual dream) from a 1975 personal journal, via an excerpt from: "Temp L (The Temple Drawings)" - unpublished project record -1982, Dia Sobin



"Many modern theories of fundamental physics predict that our universe is contained inside a bubble. In addition to our bubble, this `multiverse' will contain others, each of which can be thought of as containing a universe. In the other 'pocket universes' the fundamental constants, and even the basic laws of nature, might be different.

Stephen Feeney, a PhD student at UCL who created the powerful computer algorithm to search for the tell-tale signatures of collisions between "bubble universes," and co-author of the research papers, said: "The work represents an opportunity to test a theory that is truly mind-blowing: that we exist within a vast multiverse, where other universes are constantly popping into existence."

- via this Science Daily article, dated August 3, 2011

***

Flat Disks vs. Bubbles

Everybody dreams, and dreams come in a variety of flavors: mundane, romantic, other-worldly, prescient, wish-fulfilling, historical, etc.  The truly transpersonal "cosmic" dreams are rare, but, when you have one, you tend to want to share it. It took me over 30 years to "share" this one of mine... and then, only because it inspired an image, "A Cosmic Nest" (above).

Flatbed Scan of a Summer Flower

Begonia blossom scan - 2013, DS

(click to enlarge)

As an artist, despite all the scientifically-documented neurological, psychological & pathologlogical excuses for my existence, isn't the need for beauty the real bottom line?

And, in the event that every living organism has consciousness and sentience to some degree, isn't it possible that the expression of beauty - and the appreciation thereof - is as innate, inherent and essential to life, as any scientifically-accepted, well-documented mechanism to survive?

I scanned this begonia into the computer today, because I wanted to record it exactly as it was. I suppose that's what my scanning exercises amount to lately... along with a sort of subliminal attempt to understand transdimensionalism, albeit in reverse... that is, translating higher (3) dimensions into lower (2).

But, that's not the reason I posted it.

I posted it because it's beautiful.

Enjoy your summer.

***

Tech Note: Concerning flatbed scans of 3-D objects (also referred to, on this blog, as "live scans"). There's a plethora of info on the web describing the ways and means to perfect this type of image document, if you're interested. The most important factor in taking a good scan is having a scanner capable of copying 3-D objects... not all of them can. The ones which can, generally indicate this on the box description. Also, they often have a fluorescent light bar, which captures a greater depth of field than LEDs. And, by "scanner" I'm not referring to expensive equipment or anything having to do with the new 3-D printing technology. A dedicated scanner is imperative, however - forget "all-in-one's"!

Tech Note 2: To avoid a "pressed flower" look to a scanned flower image, leave a stem on your flower, and then try constructing a truncated cone around the flower head that will separate the flatbed glass from the flower petals. I used black paper for this - black is generally the best ground - with some degree of success. But, the contours of the cone are key, as well as the depth. The flower has to fit exactly and its petals should just brush the glass. Best bet? A fairly flat, rigid flower.


Tech Note 3: Except in the instance of a very flat object (like a house key, for example), you will either be leaving the scanner cover open, or taking it off altogether. Back-lighting may be an interesting effect on occasion, but I find it helpful to have a several boxes - lined in black - of various depths on hand to cover the scanner bed while shooting. Another possibility is a blanket of fabric, normally cut to the dimensions of the scanner bed, unless the "draped fabric" effect is a desirable background. Fabric, incidentally, scans fabulously!

Begonia blossom - 2016, 2013, DS

Anthracite Coal & Graphite

2 scans of a small slab of anthracite - 2013, DS
(click to enlarge)

I guess I feel obligated to finish my "Black Rock" series (started here & continued here). So, here's the "big reveal".

Well, it's like this: one can't write on a hard, granulated surface with obsidian... however, with anthracite coal you can. Which is how I now know that all my mysterious black rocks - despite how iridescent and pretty they may be - are, in the last analysis, anthracite coal. The ones with a more silvery sheen, however, make finer, more pencil-like lines, which sent me on a google search for graphite; apart from being pencil lead, I never did know exactly what it was.

Actually, the game was really given away when I found the anthracite slab above... which is glassy in the center, but, the surface of which is similar to a shimmery black poster board. Whatever it was, it wasn't obsidian.

(Note: It was also easy to pry apart in layers... and, though I still hadn't concluded it was coal, I still half-expected to find a fossil. In reality, one can find fossils in slabs of coal... and, two things on my "bucket-list" are: finding a meteorite, and finding a fossil!)

Anyway, I now know that anthracite coal is a mineral and the high-carbon metamorphic state of bituminous - ordinary household - coal. Interestingly, anthracite may be considered to be a transitional stage between ordinary bituminous coal and graphite, the latter often considered to be meta-anthracite and/or the last - and purist - metamorphic stage of coal.

Well, yeah, I guess I had hoped my mystery rocks were obsidian... but, anthracite and graphite are not the lowly, mere utilitarian minerals one might expect. Anthracite was a common replacement for jet in all that wonderful Victorian mourning jewelry... and it's been carved into sculptures as well. And, the same goes for graphite! The two beautiful figures above - the hand and shell (above, left) - were carved from graphite by Angelio Batle, found here, along with a number of others. And the graphite quill (above, right) is just one example of a whole series of really cool, carved graphite pencils (one can write with!) for sale here.

And, so ends the tale of the mysterious black rocks... ;-)

***

Restore the 4th (& steal this banner!)

Obsidian Glass (& a "moon rock") (?)

2 scans of the latest found object - 2013, DS
(click to enlarge)

"Seek and ye shall find"! 

Actually, this is rarely true in my experience... but, I did find what I was looking for at the beach yesterday (see previous post): obsidian glass. Of course, it's so glass-like, it's practically impossible to scan, but, this should give you some idea. It has a slight rainbow flash, but nothing like in the scan - more like the colors one sees in a crow's feather.

And, I also found a lunar rock! Okay, so, it's not really a lunar rock - just another specimen of volcanic rock with a lot of obsidian. It's blacker than it appears in the scan, though; it also has a very silvery sheen to it... 

Scan of the "moon rock" - 2013, DS
(click to enlarge)

Later note: Actually, the true identity of these rocks is still in doubt. I suppose virtually anything can be found on a shoreline, but, we are talking about a Connecticut shoreline... (see the comment section of this post). So, ladies & gentlemen, the jury is still out.


The jury's in... see: Anthracite & Graphite.

Found Object: A Mysterious Black Stone

2 scans of the same black beach stone - 2013, DS

(click to enlarge)

I actually found two stones on the coastline today, made of the same mineral... but, the one shown is the most photogenic, and this is it's best side... scanned at 200%, and then blown-up another 200%. For the top one, I used the "light adaption" scanning feature, but, both scans exhibit the same peculiar chromatic artifacts that are created when a glassy object is scanned: there's a distinct polarization of red and blue which is impossible to modify... but, in this case, actually enhances the image.

I've no idea what sort of mineral it is. Some surface areas are glassy, but, the rougher areas have zillions of tiny flecks of what is probably silica, and which reflect a rainbow of colors...

In any case, it's a keeper! :-)

***

The other volcanic rock - 2013, DS
(click to enlarge)

Update (6/30):  My friend, Moo, has just informed me, that yesterday's found objects are bits of volcanic rock known as rainbow obsidian. (Thanks, Moo!)

I've googled it, and, while it surely is an igneous rock, I'm not sure it's wholly obsidian - certainly not gem quality - and might be the combination of basalt and obsidian known as a tachylite.

In any case, it's pretty cool to have some volcanic rock, and it's really quite handsome, (though not in the bismuth crystal league). Also, it probably has bits of plagioclase feldspar, and, if you remember, that's the family labradorite belongs to.

Judging by the lack of saltwater erosion, my specimens may have originated from one of the more recent volcanic eruptions... though, how they arrived on a Connecticut shoreline is, yet, another mystery... but, you can bet I'll be looking for more! (For the sequel to this story, see: Obsidian Glass (& a "moon rock").

(Note: obsidian is an anagram of my name...)

Hungry Mouths To Feed: The Mesembs from Little Karoo

Today's scan - a nest of Gibbaeum Heathii - 2013, DS
(click to enlarge)

They resemble a nest of baby parrots... or, maybe, something from the Pac-Man family, but, as a fan of weird plants - and weird things in general - this little pot of succulents, Gibbaeum Heathii, always makes me smile. But, I'm not alone in my fascination for mesembs, also known as mimicry plants, living stones, or Lithops (a pretty example is shown here); there are whole blogs devoted to them, organizations developed around them, and, regarding our featured specimen, it's even been YouTubed.

And, yes, Little Karoo is a real place in South Africa... where wild Gibbaeum Heathii is exclusively found, growing amid patches of quartz. Apart from being an amazingly beautiful part of the world, Karoo might also be considered the home of the first humans, the San people.

By the way, the little plant actually seemed to enjoy being scanned - a feat managed by dropping the potted plant in a snug styrofoam cup before placing it upside-down on the scanner bed. My guess? Gibbaeum Heathii loves light so much, it positively devours it... (hence, the voracious, gaping jaws). ;-)

(Note: Don't bother trying this at home -  better results would probably be obtained with your garden variety digital camera.)

And, oh yeah, members of the Gibbaeum tribe bloom!

Liquidambar styraciflua

Live scan - Sweet Gum tree seedpod - found on a city street - 6/17/13, DS

The unripe Sweet Gum fruit

We're Sorry...

(Click to Enlarge)

...for this interruption. But, an unarmed (and wholly disarming) sand cat has just taken over this station.

Our regular programming will resume shortly... we think.

(Hat-tip to RPJ at the Daily Grail.)


Important News Update:  However, it has come to our attention that we may have to consult the Sad Cat Diary before any further action can be taken. Stay tuned.

And, now, for a word from our sponsors...

***

(Update 6/9/13) Photo Credit Correction: Tibor Jäger