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| Nemesis or The Great Fortuna, Albrecht Dürer - copper-plate engraving - 1502. Geometry: 2024, DS. |
"Precariously balanced on an unsteady sphere, Albrecht Dürer’s nude female figure of Fortuna conveys a sense of the instability and unpredictability of fortune. The artist’s treatment of the subject derives from a Latin poem by the Italian Renaissance poet and humanist Angelo Poliziano (1454–1494), who describes fortune as the “power to crush the arrogant minds and triumphs of men and to confound their too ambitious plans.” With her bridle and cup, Dürer’s figure—in contrast to misogynistic portrayals of her by a later generation of artists—also embodies the virtues and rewards of temperance."
- A nice assessment of Albrecht Dürer’s Nemesis image (inset left & above) via this NY Public Library page. It seems cynical that Dürer should symbolically combine the word nemesis - meaning rival, enemy or punisher - with the idea of fortune (fortuna) together in one image. Was he referring to the idea of fate as karma? In reality, the goddess Nemesis and the goddess Fortuna are mythologically and symbolically connected and it is more than likely he created his own hybrid.
As for the image itself, the figure of Nemesis/Fortuna exhibits a female body type humanity rarely sees anymore. We probably stopped seeing her around the same time Dürer created her, at the turn of the 16th century. She is an older woman; you can tell by her diminishing face and thinning hair... unlike Durer's (1496) Little (or Lesser) Fortuna - inset right - the younger Fortuna (with a lesser spiral) and an enigmatic image the size (and dimensions) of a Tarot card.*
But, the older Fortuna - who has in her maturity taken on the role of Nemesis, a "formidable and usually victorious rival or opponent" - reveals a body with contours which, while not aesthetically correct in our times, has retained its hard-bodied youthfulness. She has powerful wings and holds a large chalice. Traditionally, Fortuna, is shown holding a cornucopia but, as mentioned, Dürer has created his own Fortuna hybrid. But, then, it seems he rarely sticks with the "tried and true," preferring his own innovations. In any case, Nemesis/Fortuna is a force to be reckoned with. She may be offering the chalice - the cup of plenty - but, we are reminded that she is also carrying a horse's bridle. In other words, while we may succeed above and beyond our wildest dreams, our egotistical aspirations are kept in check by this goddess. Either that, or she represents a stereotypical negative female archetype.
Incidentally, Nemesis is much more massive figure than she appears at first glance. An enlargement of the little Italian town which she overlooks (as she balances upon her sphere) can be found here.
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By now, I should know better than to make promises regarding the future I can't keep... but, in regards to my previous projections made in my last post, when and where I envisioned one more addition to the Dürer series, I am now here to report that my plans have had to change.
Yes, while in the midst of feverishly writing the proposed post (Dürer Part III) I initially had in mind, I was suddenly presented with far more bits of information than I could possibly process in one post. An example would be the Nemesis image with it's astounding spiral (above). But, there were other images found as well, deserving some special consideration... such as Dürer's diagram of his 'Schneckenlinie' ('snail-line') or Logarithmic spiral - (inset left) - a spiral which, oddly, almost appears as if it's in perspective. Sadly, I cannot translate the text. (If you can, please inform us!)
In any case, after the shock wore off and my first attempts were put aside, I decided the new information required a new series... The Dürer Files, a new testament of sorts. Moreover, it would have to be broken up into bits... thereby requiring shorter posts and less time, or, seriously, I would never get any of it online. So, this is the Introduction. The series contents will (tentatively) include 5 6 sections, which are as follows:
The Dürer Files: 1c. The Keys & Bees of House Barberini
The Dürer Files: 2. Soli Deo Gloria (Glory only to God)
The Dürer Files: 3. Maximillian & The Bauhütte
The Dürer Files: 4. Dürer & the Phi Goddess
The Dürer Files: 5. Dürer & the Black Madonna
The Dürer Files: 6. Dürer & the Whale
(Note: This Intro will also serve as the Dürer Files series Table of Contents page with links becoming active as the posts appear. The links will also appear in the Golden Series content post (click the Golden Snail on the sidebar.) (Know, however, that the titles and order in which they appear may change.)
(Note 2: I have already added an extra section... and 2 more - regarding phi ovoids - are likely to follow.)
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(More below the jump break...)
