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Flying North for the Summer - cellphone photo (filtered), Albuquerque - 2025, DS. |
"At this point you are possibly saying, what on earth are you doing gazing at paintings of clouds in the sky when the earth is actually on fire? It’s an excellent question. But there is a difference between looking at the details of the universe that others insist are important– often at great profit to themselves – and looking at the details that move you on their own. They can be the same details. The important question is, which ones do you actually feel?"
"We spend so much time staring into our laps these days, looking desperately down into our smartphones and hungrily inhaling whatever the Internet has to offer. We live there now, down that dank, semi-real, untouchable and ultimately unknowable hole. But every once in a while, we forget it’s there, and look up."
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Link Update! Also see:
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(Instead of taking photographs, these days I'm shooting short videos of clouds and exporting frames. This seemed like the best approach after a weird experience I had with a cumulonimbus cloud I wish I'd filmed... discussed recently on Mac's memorial in The Giant Awakens. Here lies the other half of that story...)
For an artist, working with clouds can be an illuminating experience. Working with an anomalous cloud, however - even if only documenting what you see with a digital camera - borders on the mystical realm. Something unexpected happens.
The first thing this artist discovered is that the lens was not recording the image exactly as I saw it. And I mean this beyond simplistic rationalizations such as faults with either a.) camera, b.) photographer. No, the clouds in the photographs rarely matched the clouds I saw from my perch on the balcony. It took me some time before I realized why.
(Continued below the jump...)