Saturday, June 29, 2013

Found Object: A Mysterious Black Stone


2 scans of the same black beach stone - 2013, DS
(click to enlarge)


I actually found two stones on the coastline today, made of the same mineral... but, the one shown is the most photogenic, and this is it's best side... scanned at 200%, and then blown-up another 200%. For the top one, I used the "light adaption" scanning feature, but, both scans exhibit the same peculiar chromatic artifacts that are created when a glassy object is scanned: there's a distinct polarization of red and blue which is impossible to modify... but, in this case, actually enhances the image.

I've no idea what sort of mineral it is. Some surface areas are glassy, but, the rougher areas have zillions of tiny flecks of what is probably silica, and which reflect a rainbow of colors...

In any case, it's a keeper! :-)


***



The other volcanic rock - 2013, DS
(click to enlarge)


Update (6/30):  My friend, Moo, has just informed me, that yesterday's found objects are bits of volcanic rock known as rainbow obsidian. (Thanks, Moo!)

I've googled it, and, while it surely is an igneous rock, I'm not sure it's wholly obsidian - certainly not gem quality - and might be the combination of basalt and obsidian known as a tachylite.

In any case, it's pretty cool to have some volcanic rock, and it's really quite handsome, (though not in the bismuth crystal league). Also, it probably has bits of plagioclase feldspar, and, if you remember, that's the family labradorite belongs to.

Judging by the lack of saltwater erosion, my specimens may have originated from one of the more recent volcanic eruptions... though, how they arrived on a Connecticut shoreline is, yet, another mystery... but, you can bet I'll be looking for more! (For the sequel to this story, see: Obsidian Glass (& a "moon rock").

(Note: obsidian is an anagram of my name...)





Wednesday, June 26, 2013

Hungry Mouths To Feed: The Mesembs from Little Karoo



Today's scan - a nest of Gibbaeum Heathii - 2013, DS
(click to enlarge)


They resemble a nest of baby parrots... or, maybe, something from the Pac-Man family, but, as a fan of weird plants - and weird things in general - this little pot of succulents, Gibbaeum Heathii, always makes me smile. But, I'm not alone in my fascination for mesembs, also known as mimicry plants, living stones, or Lithops (a pretty example is shown here); there are whole blogs devoted to them, organizations developed around them, and, regarding our featured specimen, it's even been YouTubed.

And, yes, Little Karoo is a real place in South Africa... where wild Gibbaeum Heathii is exclusively found, growing amid patches of quartz. Apart from being an amazingly beautiful part of the world, Karoo might also be considered the home of the first humans, the San people.

By the way, the little plant actually seemed to enjoy being scanned - a feat managed by dropping the potted plant in a snug styrofoam cup before placing it upside-down on the scanner bed. My guess? Gibbaeum Heathii loves light so much, it positively devours it... (hence, the voracious, gaping jaws). ;-)

(Note: Don't bother trying this at home -  better results would probably be obtained with your garden variety digital camera.)

And, oh yeah, members of the Gibbaeum tribe bloom!



Thursday, June 13, 2013

We're Sorry...


(Click to Enlarge)



...for this interruption. But, an unarmed (and wholly disarming) sand cat has just taken over this station.

Our regular programming will resume shortly... we think.

(Hat-tip to RPJ at the Daily Grail.)


Important News Update:  However, it has come to our attention that we may have to consult the Sad Cat Diary before any further action can be taken. Stay tuned.

And, now, for a word from our sponsors...



***


(Update 6/9/13) Photo Credit Correction: Tibor Jäger







Tuesday, June 11, 2013

Sand & Cymatics: The Patterns of Sound







Apparently, the video above has gone viral since it was posted a few days ago (according to an article found here), but I didn't see it till today (Thanks, Moo!). I've seen photographs of resonance patterns in the past - patterns which emerge when metal plates containing various substances are vibrated with sound frequencies - but, this video is pretty cool. So, for those of you who have an interest in pattern, form and structure - and my discussions of them, and/or their esoteric aspects - you might find this video illuminating.

Cymatics - the study of wave or modal phenomena - is a word that was coined by Hans Jenny in 1967. Regarding the discovery of the ability of sound frequencies to produce patterns, however, in the West, Galileo first mentions the phenomena in "Dialogue Concerning the Two Chief World Systems" in 1632. (Then again, in the Far East, the ancient Chinese had already developed sound-frequency toys!) Next in line came Robert Hooke, although it is through the repetitions of his experiments with sound, and the subsequent publication of "Discoveries in the Theory of Sound", that Ernst Chladni emerged as the name most identified with resonance imagery - specifically in the term "Chladni plates".

According to the Smithsonian page (linked to above): "Chladni patterns are still of scientific interest, although their analytical uses have been mostly replaced by other technologies. Today these figures are more likely to be produced by a virtual imaging program than by an actual vibrating plate."

Yeah, but I guess they never heard of Meara O'Reilly and her Chladni song, or, her work with Bjork... or, for that matter, the experiments of Alexander Lauterwasser!

For more cymatic info and images, try here and here.

Credit: The creator of the today's featured video is Brusspup at Illusions and Science.





Friday, June 7, 2013

A Day at the Beach


3 scans of a found object - 2013, DS (click to enlarge)



"Shinto teaches that everything contains a kami (神 "spiritual essence"),
commonly translated as god or spirit).

The kami reside in all things, but certain places are designated for the interface of people and kami (the common world and the sacred): sacred nature, shrines, and kamidana. There are natural places considered to have an unusually sacred spirit about them, and are objects of worship. They are frequently mountains, trees, unusual rocks, rivers, waterfalls, and other natural edifices. In most cases they are on or near a shrine grounds. The shrine is a building built in which to house the kami, with a separation from the "ordinary" world through sacred space with defined features based on the age and lineage of the shrine."

- excerpt from the Wiki entry for Shinto




High-tide is not the most excellent time for beachcombing, but, neither is the blistering heat of mid-day. So, for my first visit to the shore in a very long time, I chose the hour just before sunset for my foray by the water's edge. There were a few people milling about on the sand, but, like any dedicated beachcomber, I ignored them completely, aware only of their voices drifting around me in the air, in that peculiar way sound is both muffled, amplified and scattered by the ocean's waves.

I saw only one other person by the water - a woman, perhaps Muslim, swathed in black veils, hunched down in the encroaching waves. She was staring at the horizon, her hands folded under her chin in a way that may have been praying. But, as I approached, she stood up and slid off in the opposite direction.

Communing with the ocean is often - and needfully - a very private thing.

I found very little... the beach isn't what it used to be, or, maybe I'm not what I used to be, lacking the awe and raw enthusiasm I had as child, when everything still seemed new and mysterious.

But, I did find one thing... it was sitting in the sand in the path as I was leaving... a rock, but a special rock, in that it was a chunk of beach marble, my favorite sort of rock, and one that I had collected in the past; a collection I had to part with during the course of moving a few months ago. It was like greeting an old friend, but, before snatching it up, I looked around to make sure I wasn't stealing someone else's treasure.

Anyway, above are scans of three faces of the found object. It isn't as silky-textured as the specimens I've found in the past, those of which have been smoothed and sanded by the salt-water for a longer period of time... (and, an example of which is posted below... my only remaining touchstone of that species). But, it's easy to understand why marble is so often the choice of sculptors. Maybe it has something to do with metamorphic process that marble has to go through, it's physiological history, that speaks to the artist. Or, maybe some rocks just happen to "speak" a little more eloquently.

Interestingly, the grey, striated beach marble I find, tends to have one or more roughly pentagonal faces; the pentagon - along with the hexagon - being a favored shape in the organic world, and for the sacred geometer and mason, a symbol of sentient life.

In the Disneyland world of a child's mind and the "primitive", everything is alive, has consciousness, and is sentient to some degree, even inanimate objects. In other words, all is "animated". But, this is still true in many worldviews, up to and including that of Shintoism, an ancient set of spiritual beliefs and practices of which a large portion of the Japanese population, essentially, still adhere to.

Animism is defined as the worldview in which "natural physical entities - including animals, plants, and often even inanimate objects or phenomena - possess a spiritual essence". I suppose, how one defines "spiritual essence" is where a lot of people get tripped up.

But, to the child, the primitive, the artist, the naturalist, the mystic, and even a quantum physicist or two, that quality we call "life" permeates existence... either it's everywhere... or nowhere.

When in doubt, listen to an eloquent rock.


2 faces of an old friend - 2009, DS (click to enlarge)


***


Bonus link (re: how to house a kami): the shrines of friend and art shaman, B. G. Dodson. Guess which one I own? :-)

(Hint: Ever notice how the Shinto symbol, the Torii Gate, resembles a modified giant Pi symbol?)







Wednesday, May 29, 2013

More Ancient-Future Artifacts... Bismuth Crystals



Bismuth Crystal, Flickr photo by Ficusdesk



My friend, Bob, sent me strolling the other day, over to a Reality Carnival: Cliff Pickover's amazing, and constantly updated compendium of strange, mathematical-phenomena links; and I hit pay dirt almost immediately... and, discovered more trinkets to add to my Ancient-Future artifact collection.

Bismuth crystals - who knew?

Resembling ancient Meso-American stepped pyramids, or examples of  fossilized organic circuitry (and, I've been known to generate one or two) these tiny beauties are generated from the chemical element, bismuth... one of the first 10 metals to be discovered - known since ancient times - and the most diamagnetic of them all.

It's also an ingredient in Pepto-Bismol!



Bismuth Crystal, Flickr photo by Miriam


Apparently, bismuth crystals are rarely found in nature, but, like the ones pictured, they are grown in labs, or (and, this is the exciting part) can be grown at home on a household stove! (Links are provided at the end of the post.)*

Obviously, the possibilities are not lost on jewelry designers, and the results are items to be coveted.  For some examples, here's a steam-punk pendant by Heather Jordan, and here's Element83's Art-fire selection to drool over.



            


Above, to your left, is a Flickr shot by Sal Tation, but, speaking of drooling, the second photo above is a close-up shot of this article for sale in a UK Etsy shop. I guess money can by happiness, after all!


Some breathtaking close-ups of bismuth can be found at Paul's Lab.

For more info, photos, and items for sale, try here.

For instructions about how to make your own, try here and here!


*  Warning: Bismuth does have a degree of toxicity, though generally only with high exposure. According to Wiki: 

"Scientific literature concurs that bismuth and most of its compounds are less toxic compared to other heavy metals (lead, antimony, etc.) and that it is not bioaccumulative. They have low solubilities in the blood, are easily removed with urine, and showed no carcinogenic, mutagenic or teratogenic effects in long-term tests on animals (up to 2 years). Its biological half-life for whole-body retention is 5 days but it can remain in the kidney for years in patients treated with bismuth compounds."




Previously in the Ancient-Future series:



Friday, May 24, 2013

Artifacts from an Ancient-Future... Featuring the Fractals of Tom Beddard (Updated)


Faberge Fractal (from a series) - digital 3D Generative - Tom Beddard, 2012



“I still believe the universe has a beginning in real time, at the big bang. But there’s another kind of time, imaginary time, at right angles to real time, in which the universe has no beginning or end.”

 - Stephen Hawking, from Black Holes and Baby Universes and Other Essays, 1984,
Oxford University Press



"The creative process is akin to an exploration into a space that can dramatically change with a slight tweak of one parameter. A fundamental feature of fractal algorithms is recursion, where the output of one iteration is fed back as the input of the next, so often certain features can get ‘amplified’ leading to unexpected and delightful results."

- Tom Beddard via this 1.4 interview, 2012



"Fractals, in other words, bridge the micro to the macro, and do so by the marriage of mathematics to the language of form. Symmetry, on the other hand, has become the catch-word across the board; in all areas of science, as well as art, music, history and societal analysis. Symmetry, in other words, is a very transdimensional term. It describes both the singular entity and the encompassing field. It can take us from a simple geometric figure to a parallel universe. We can follow it from the atomic to the galactic, from the child's "cat's cradle" to the Super-string universe and beyond."




Faberge Fractal (from a series) - digital 3D Generative - Tom Beddard, 2012


It doesn't always work, but, sometimes, when one is looking for a clue to some personal dilemma, or some creative "fix" to jump-start the little grey cells into up-and-running mode, the internet proves to be The Great Provider. It's almost uncanny. At least, that's what I thought when I stumbled upon a post by Cory Doctorow, at the irrepressible, irreplaceable boingboing, the other day.

I'd been mulling over my Ancient-Future meme, having, to some degree, lost my original thread from an idea that originated weeks ago, when, what to my wondering eyes should appear, but actual artifacts, embodiments of just what I'm attempting to illuminate!

The artist: Tom Beddard, an English web-developer currently operating his own company Hyper Digital Ltd. out of Edinburgh, Scotland. The artifacts: a series of 3-D generative renderings he refers to as "Faberge Fractals". It was love at first sight.

Naturally, I wasted no time in visiting Tom's Subblue studio, where I was delighted to find more 3D generatives, and, better still, a whole slew of animations, which he describes as: "rendered using raymarching in the same way as the Mandelbox and Mandelbulb fractals. The formulas follow similar processes of folding, scaling, rotating and inverting the space to give the final shape."

Soon, links to his animations will be embedded on the sidebar of this blog, but, for now, Tom has kindly allowed me to include two of his animated gems... which appear at the end of this post. (Note: I've switched out the 2nd video, and replaced it another - I'm a sucker for soundtracks with my fractals - but, have left a link to the previous.)

In Tom's words, taken from Subblue: "I have a fascination with the aesthetics of detail and complexity that is the result of simple mathematical or algorithmic processes. For me the creative process is writing my own software and scripts to explore the resulting output in an interactive manner. The best outcomes are often the least expected!"

Hmmm... well, from the point of view of a primarily analog digital artist - which is, alas, what I am (out of sheer fear and laziness) - my question would be: but, where exactly does the muse crawl in? Because, you know it must.

Ah, well, I did find this quote from Tom (from this article): "You get an intuition about what equations lead to interesting results," he says. "Everything in 'Surface Area' comes from slowly changing just one parameter. And when it moves in and out of phase with some of the other parameters, certain structures pop out: some organic, some geometric, some classical and tree-like."

My guess: the intuition.



Faberge Fractal (from a series) - digital 3D Generative - Tom Beddard, 2012


Then again, looking at Tom's work, my inuition is that the muses - with Tom at the helm - have fashioned themselves ingenious little abodes... or, perhaps complex mechanisms which accomplish strange things when held in ones hands or above ones proverbial noggin. My suggestion to Tom? In two words: 3D printing!

When it comes to the sheer mechanics which produce fractal patterns, however, I am as much in the dark as anyone else. But, I find, the best way to approach fractal art, geometry, or anything else that smacks of complex mathematics, is to simply allow oneself to respond in much the same way as one might when gazing into the bifurcating whorls of a particularly intricate seashell... the awe, the palpable wonder... because the body can subliminally and inherently grasp what the mind - with all its pre-conceived notions and emotions - cannot. The body understands all geometrical configurations because its ability to function depends upon them; from the division of a cell to the algorithmic arrangement of atoms, the body is a complex, exquisitely fine-tuned geometrical expression in motion. In other words, truly "seeing" is a holistic, whole-body experience.

And, a body loves fractals. They are keys to the Transdimensional, and, hence, keys to the Ancient-Future I've been grappling with.

But, you're going to have to read between the lines on that one. I think I've left enough clues. Meanwhile, forget all of that, and let your aetheric body and/or your pineal body (via your eye-sockets) wander amid the fractal animations below. They will thank you for it.

Welcome to an Ancient Future!




Music Box by Tom Beddard - Soundtrack by J. Saunders





Surface Detail (& soundtrack) by Tom Beddard - Previously shown: Window Well 



For more of Beddard's fractal animations, go here... or, visit his blog, and/or his pages on Twitter, and Flickr.


And, do keep an eye on his sites Subblue, and Fractal Lab; he's promising "some very big new stuff " in the near future!



Thanks, Tom!



Next in the Ancient-Future series: More artifacts!




Saturday, May 18, 2013

In Search of An Ancient-Future


Lenticular Cloud, B.C. - Pandora's Box - digital - Dia Sobin, 2008



"It is never any definite experience which gives me pleasure, but always the quality of mystic adventurous expectancy itself - the indefiniteness which permits me to foster the momentary illusion that almost any vista of wonder and beauty might open up, or almost any law of time or space or matter or energy be marvelously defeated or reversed or modified or transcended….that sense of expansion, freedom, adventure, power, expectancy, symmetry, drama, beauty-absorption, surprise, and cosmic wonder (i.e. the illusory promise of a majestic revelation which shall gratify man’s ever-flaming, ever-tormenting curiosity about the outer voids and ultimate gulfs of entity)….the illusion of being poised on the edge of the infinite amidst a vast cosmic unfolding which might reveal almost anything..."

- H. P. Lovecraft, from a letter to James F. Morton, March 12, 1930, borrowed from this beautiful Teeming Brain essay: Autumn longing: H.P. Lovecraft by Matt Cardin

***

One morning, a few weeks ago, I awoke with a strange "realization"... which came in the form of an actual (albeit silent) declaration: I am an Ancient-Futurist.

Ruling out "divine-intervention" (and various psychological disorders), it must've been the punch-line of something I dreamt. But, that's dreaming for you; fragments remain in the conscious mind, but you've lost the big picture. Then again, in the following morning's dream, I learned the (Monty-Pythonesque) historical "fact" that Medieval swords and shields were cunningly fashioned from bread dough. It wasn't exactly a eureka moment, but, in the dream, it almost made sense.

But, back (or fast-forward) to the Ancient-Future, which, at least, is something to conjure with. In actuality, I've always been attracted to ancient/futuristic themes. The 2008 image (above) "Lenticular Cloud, B.C. - Pandora's Box" is an example, a literal translation of the meme. Carved in stone, Pandora perpetually clutches her box of plagues, while, overhead, an unidentifiable aerial object interacts with an ancient structure. It's fairly easy to decipher. But, that particular morning, my unconscious mind seemed to be referring to something less literal, a fertile abstraction from the subliminal realm that begged for a response.

It's not as if marrying the past with the future is all that weird.  In the timeless, non-local realm of the unconscious, the dead interact with the living, landscapes from one's childhood - those which no longer exist - arise revitalized, uncontaminated by any fate that eventually befell them, and, often, even oneself is clothed in a younger countenance, as if, somewhere along the way, the experience and effects of time passing have lost significance altogether.

Not even the conscious mind is utterly persuaded by the minutes ticking away on a clock. The minute our focus shifts from the time-centered televised-world to some personal place where we are emotionally, intellectually and/or energetically engaged, huge chunks of time can fall away leaving us mystified and perplexed. Where did that time go?

But, then again, what is time to begin with? According to the Realists, "Newtonian time" is a structure and a dimension in itself, in which events occur sequentially. According to the Presentists, only the present is real and neither the past nor the future exist. From the standpoint of Eternalism, time is also a dimension, married to space in a "block universe". But, according to this plan, although every moment is real and relative to the observer, time does not "pass"; it is a static vista, and neither the past not the future can be modified.

Practically speaking, the measurement of time is a gentlemen's agreement - its increments, as we know them, are fabrications. We experience the passing of time as growth and decay - the old and the new - now and then... but, through all of it, time has no substance, no physical structure, no meaning in itself. In that sense, it's both subjective and relative. We record it in our lives by the events that occur synchronistically. In that way, time is a series of events that coincide with a designated incremental structure.

Chronometry - the measurement of time - is the the time we're most familiar with as we change our calendars and check our watches. Periodic time covers the cycles of the moon and certain biological aspects of organisms. Sidereal time is measured by the stars. Judeo-Christian time is generally linear with a beginning and end.

Obviously, the Ancient-Future could not exist in a linear time frame. It has more of a chance within the philosophical concepts of the East where time is cyclical and quantic. Or, better still, couched in actual quantum descriptions of time - not to be confused with a Quantum Clock - specifically that of quantum entanglement. However, here we're referring to a particle's speed of light - that is, Planck time - in a theory that proposes time is continuous; or, utilizing  the Chronon, which is a proposed quantum unit of time relative to a particle's charge and mass.


from the Wired article: Quantum Entanglement Could Stretch Across Time


Ultimately, the Ancient-Future - and/or the necessary bridge between the two - is forged In the creative imagination: in the musings of science fiction writers - and the quote from H.P. Lovecraft above is key - the diagrams of sacred geometers, the organic landscapes of fractal artists, or by anyone harkening way, way back to some speculative mysterious source (while often using a timeless, fundamental set of tools, such as mathematics), to steal a glimpse of an equally as speculative and mysterious future. But, the key word here is mysterious; that unknown factor which occasionally pulls us out our televised-world-induced stupor to confront the sheer magnitude of our collective ignorance. There is something almost sacred about this sense of the mysterious (and our ignorance!), but, not in any officially religious sense. In other words: it can't be googled.

Which is not to say I didn't try googling Ancient-Futurist/Futurism... but, apart from some mysterious social networker, an electronic musical composition or two, and another scary Christian hybrid theology, I drew a blank. There is Retro-futurism, which is interesting but not quite the same. There are a few jewelry designers using Ancient-Future as a descriptive term (one or two whose designs resonate). There are theories in the speculative range, such as the paleocontact hypothesis (a guilty pleasure). Design-wise, there's Steam-punk and Cyber-punk, of course... which sometimes hints, stylistically, at what I'm trying to describe; as does Futurism, in a marginal sense.

And, yet, what was I really referring to by the term that fateful morning? "Days of Future Past"? Or, perhaps these "Days of Future Past" (which can be found here in its entirety). Histories of things to come? Archaeology in the inner-galactal realm? Say, a type of psychic archaeology, if you will. Or maybe something as tangible as the event photographed (via the Hubble) below, an actual collision of galaxies, 330 million light-years away (and a fate predicted for own galaxy in the far future...).

Stay tuned. Further explorations will ensue!


When galaxies collide... found here.



Note: It has recently come to my attention that, synchronistically, the ever-intrepid (and ever-prolific) Tam B, over at the previously mentioned blog, seems to be tackling a similar set of themes from a variety of perspectives. But, no, she and I are not comparing notes, and we are arriving at our destinations independently. Meanwhile, check out her latest post: a collection of some real-time ancient-futuristic dwellings!  





Wednesday, April 24, 2013

When Inner Worlds and Outer worlds Collide


Kepler-62f (Artist's Concept)



"Exoplanets including WASP-3b, HAT-P-5b, GJ 758 b and c, HD 178911 Bb, HD 177830 b, TrES-1, and HD 173416 b have been discovered in Lyra. In January 2010 the Kepler Mission announced the discovery of the additional planets Kepler-7b, Kepler-8b, and three planets around Kepler-9 are expected to be the first of many discovered by the mission, which has a significant part of its field of view in Lyra.

In April 2013, it was announced that of the five planets orbiting Kepler-62, at least two -- Kepler-62e and Kepler-62f -- are within the boundaries of the habitable zone of that star, where scientists think liquid water could exist, and are both candidates for being a solid, rocky, earth-like planet. The exoplanets are 1.6 and 1.4 times the diameter of Earth respectively, with their star Kepler-62 at a distance of 1,200 light-years."

- excerpt from the Wiki entry for Lyra


"Claiming to be an extraterrestrial from a planet called 'K-PAX' about one thousand light years away in the Lyra constellation, Prot (rhyming with the word "goat", played by Kevin Spacey) is committed to the Psychiatric Institute of Manhattan where psychiatrist Mark Powell (Jeff Bridges) begins to evaluate him as a delusional."

- via the IMb synopsis for the film K-PAX


"In the film Contact, the message intercepted by Jodi Foster's character is coming from Vega, the brightest star in the Lyra constellation."

- excerpt from the Wiki entry for Lyra


"...I created my own female ET religious order at some point in the early 1970's, for a sci-fi children's story: the Makyrr. The Makyrr were an avian race, originating from somewhere in the constellation of Lyra, who seeded a number of habitable planets with a variety of organic life. Andromeda, however, is not a representation of a Makyrr, who wore winged headdresses and had more bird-like features."

- an excerpt from my previous post, Andromeda: She Who Waits


"There is one group of entities who are mammals, yet are oriented toward Lyran principles (Lyra being the mother group), and whose features are very different from humanoid. One particular group resembles what you call alien. The body type of these entities would be what you call ectomorph, very thin, almost frail and birdlike. The facial structure is more angular, sharper, resembling a bird, though these are still mammals. The eyes are birdlike. The hair is not feathered, but is of a different quality that can resemble feathers, if you are not touching it or in close proximity to it. It was also ceremoniously adorned in a certain way that made it look like feathers."

- excerpt from a "channeled" message, 1992, Lyssa Royal Holt



"Even if humanity ultimately takes the dirtnap, the discovery of a living extrasolar planet seems almost inevitable. I wonder what our response will be, gazing at some tantalizing and alien world orbiting another star. What will we have done to ourselves -- and how might our collective predicament color our reception of a confirmed extraterrestrial biosphere?

Although real enough, the new Earth will also play a formative role in our imaginations; it promises to be a liminal frontier as well as an astrobiological focal point -- the locus of new myths, an imaginal haven forged of memes old and new, a distant and beckoning mirror."


- Mac Tonnies, 2006, excerpt from this archived Posthuman Blues blog entry

***


Okay, maybe "collide" is too dramatic a term, but, it sounds more aesthetically pleasing than "converge". And, while reality isn't exactly imitating art in this instance, it's alluding to it. 

In this case, I'm referring to the recent discovery of the habitable planets, Kepler-62e and Kepler-62f, in the constellation Lyra. I wasn't even aware that there are at least 2 known star systems in that constellation, but, hey, the more, the merrier.

For whatever reason, Lyra has always attracted the creators of science fiction, specifically it's largest and most brightest star, Vega. Other popular speculative hotspots would include Alpha Centauri, the Pleiades constellation, and Sirius, but, my heart has always belonged to Lyra, although Cygnus (in which another "habitable" exoplanet was recently found) and the Pleiades are also personal favorites.

Why is it that certain stars attract us? And, more importantly, why are we moved to create new mythologies about them? Because, we are creating new mythologies - specifically alien, ET mythologies - seemingly on a daily basis. Case in point, Zeta Reticuli, home to Betty and Barney Hill's gray aliens; an older meme, perhaps, but an effective one.

Lyssa Royal Holt, via her guide Germain, has created an entire alien-classification system (see the "message" link above). Oddly enough, she - and/or her muse - may have been describing the "Makyrr" (in the quote above).

Below, (for your amusement) is an excerpt from a 1999 draft of "The Legend of the Kastar and Makyrr" which was to appear in the appendix of an adult sci-fi version of an original children's story of mine. Odd thing about the Makyrr... but, after all these years they still resonate with me, and have become an element of my own, personal mythology, to the degree that they continue to resurface in things I write. Although this excerpt is rather dry, I'm hoping it may inspire you to ferret out your own private aliens... my guess is that many of us harbor, at least, a few.


***

(Note: Actually, this was not the intended post for this time-slot. I've been working on something else that was to introduce a succession of posts - of which this may have been one. I know I also mentioned another Patron Saint post in the works. This too is on hold. For reasons beyond my control, all labor-intensive work is almost impossible to pull off at this time. Bear with me.)

(Additional note: Incidentally, regarding Metastructures, which seems to be constellating on this blog lately, the original name of the violet "trident" symbol, and, arguably, the most important symbol of the four (it was, essentially, the code-breaker) was... Lyra. Also, for a short time, I privately referred to the deck as "Lyraen Temple".)


***


"It was the second band of settlers that concerns us here, however, and these came from a system in the vicinity of Antares. They called themselves the Kastarae, or Kastars. This was not so much the name of their species as it was a designation of their status which was, more or less, that of an elevated biologist; biology having become an almost arcane science on their home planet at that time. Though human-like in proportion, they were, for the most part, reptilian, with blunted features and webbed extremities. Their eyes were most singular in that the lids were transparent and the pupils elongated slits. The irises were a pale, metallic color and it was said that to look into the eyes of a Kastar brought madness to even the most stalwart of psyches.

The band that arrived on Zin were composed of nine males, renegades predominantly, who came, not so much in the interests of their home planet, nor with the intention of studying the mineral composition of Galazindra. Their mission, covert in application, altruistic in intent, was to design and propagate new organic life forms, experiments which were strictly forbidden at all points in their planetary system, and with good reason; it was just such experiments that eventually decimated all members of the female gender. There were, allegedly, no females of the species remaining. The males propagated themselves by cloning.

They settled west of the great ocean that divided the two major land masses of Zin, on an arid peninsula comprising what is now considered Mohan, bordering on what is now a desert. (see "Galadan"). The remnants of their collapsable domes can be found there still; they were made of materials designed to last long after their creators. Unbeknownst to the Kastars, however, they had not arrived on an utterly deserted planet. East and north of their encampment, across the great ocean in an area that eventually became the doomed Ebwydya, existed a settlement of an entirely different race. These came from a system located in the constellation of Lyra. They called themselves the Makyrr.

Apparently, as in the case of the Kastarae, whether by some design of fate, or merely an embellishment added by later chroniclers, the Makyrr numbered nine. In contrast to the reptilian nature of the Kastarae, however, the Makyrr were the vestiges of a predominately avian race and were vaguely bird-like in appearance, their beak-like noses furrowing into nondescript thin lips, their skin - while not fully feathered - exhibited a pale down in various ares of their anatomy, similar to the hair on a human body. The major difference, however, lay in the eyes; the eyes of the Makyrr were uniformly dark with an enlarged round pupil, and the color of the iris, which entirely filled the eye, varied from indigo, to violet, to a deep sienna. Unlike the fixed, metallic stare of a Kastar, the eyes of a Makyrr induced tranquility.

An interesting symmetrical aspect was that the Makyrr were wholly female in gender. Unlike the Kastarae, however, the Makyrr were an exclusively mystic order, members of a race that most certainly had a thriving male gender, though, comparable to the human monastic orders on Earth, the Makyrr were not disposed to consort with them. Which is not to say the Makyrr did not breed. They bred, in fact, female progeny that were wholly Makyrr, through a self-induced process of parthenogenesis. And, this was not the only ability the Makyrr possessed. Amongst their many attributes, levitation - a recessive expression of their ancestor's ability to fly - and weather manipulation among them, they could, under certain circumstances it was said, reverse the state of decay in certain organisms.

The presence of the Makyrr on Zin has never been fully explained, though it is likely that some variety of breeding program was, as with the Kastarae, part of their agenda. In the case of the Makyrr, it was most likely confined to forms of vegetation, possibly extending to several simple organisms which contributed to said flora's survival. Certainly the amazing variety of plant life that was said to have flourished exclusively in Ebwydya gives credence to the legend, but unfortunately, apart from a handful of place names, little physical evidence exists. Ebwydya was decimated by an asteroid in the third millennium and, as to the fate of the original Makyrr, history is silent."

- Excerpt from The Legend of the Kastar and the Makyrr, 1999, Dia Sobin


Makyrr - early sculptural model - DS 1984