Send in the Clouds (Updated - July 19)

 

Cloud formation over the Sandia Mountains - cellphone photo - June 30, 2025, DS.
(Note that the bird - left of center - appears to be a raptor.)

"I'm glad to be with you, Sam Gamgee, here at the end of all things."

- Frodo Baggins speaking to his closest companion, Sam, on Mount Doom while Mordor is consumed in flames, via this scene (also here) from The Return of the King, Peter Jackson's cinematic retelling of J. R. R. Tolkien's classic trilogy. 

The saga of Middle Earth from The Lord of the Rings was the first thing that came to my mind at the beginning of this year, when someone had apparently sent in a swarm of menacing clowns to replace the government here in the States.

In Tolkien's tale, the Great Eagles, led by the wizard Gandalf, saved the day for Frodo and Sam.

But, who will save the day for those of us in the West, who are currently suffering under the escalating Republican Reign of Terror?

Monstrous cloud over the Sandia Mountains - cellphone photo - July 27, 2025, DS.

I'm thinking... clouds. 

But, no, don't get me wrong. I'm not talking about the little fluffy clouds drifting by on a sunny day. I'm talking about the massive, icy thunderheads that spell doom for an unwary pilot.

(More below the jump...)

Reflections on a Chinese Sewing Basket (an Interlude post)

Lid of a Chinese Sewing Basket -
live scans/digital - 2019, DS

(Click to enlarge.)

"Collected baskets have survived for decades, some for a century or more, each one having a diverse history. Countless baskets no longer belong to their original owners... Put simply, the old Chinese sewing baskets have traveled and experienced long, varied and in most cases, tough roads throughout the years."

- From the definitive book: Chinese sewing baskets by Betty-Lou Mukerji.

"Gu embroidery is rather a family style than a local style originated from Gu Mingshi's family during the Ming Dynasty in Shanghai. Gu embroidery is also named Lu Xiang Yuan embroidery after the place where the Gu family lived. Gu embroidery is different from other styles as it specialized in painting and calligraphy. The inventor of Gu embroidery was a concubine of Gu Mingshi's first son, Gu Huihai. Later, Han Ximeng, the wife of the second grandson of Gu Mingshi developed the skill and was reputed as "Needle Saint" (针圣). Some of her masterpieces are kept in the Forbidden City. Today Gu embroidery has become a special local product in Shanghai."

- Quote and photograph (inset left) via the Wiki entry for Chinese Embroidery.  (Feminist alert! Note that the woman who invented Gu embroidery - a concubine - remains anonymous.)

"By the T'ang Dynasty, considered the Golden Age of China, thousands of women were employed as seamstresses and embroideresses, and Chang An, then capitol of China, became a trade center for woven and embroidered textiles. By the Song Dynasty, embroidery embellished parasols, fans and shoes, as well as household items such as screens and bed coverlets were being produced. The Ming Dynasty saw the development of the ranking badges, worn on the front and back of robes by military and civilian officials and by their wives. Many of the Imperial Dragon Robes that you see in museums also date from the late Ming Dynasty."

- Excerpt from an article about Chinese textiles found here.

"My new wife is clever at embroidering silk;
My old wife was good at plain sewing.
Of silk embroidery one can do an inch a day;
Of plain sewing, more than five feet.
Putting her silks by the side of your sewing,
I see now that the new will not compare with the old."

- Dialogue between a man and his "old" wife from the poem "Old and New" by an anonymous Chinese poet, 1st century BC. Source: A Hundred and Seventy Chinese Poems compiled by Juyi Bai, 1919. (Feminist alert #2: Interesting set of cultural stereotypes here: the "frivolously" artistic New Wife, the industriously productive Old Wife and the man who chooses quantity and economy over beauty!)

"After the initial awe, I felt like one of the blind men on the bridge in the classic Zen drawing -- I had no idea where I was going or how to arrive.  Despite these challenges, the intention to affirm my aspiration to practice persisted. As the teacher led me across the  bridge, stitch-by-stitch, I watched myself reflected in the sewing.

Continuing to practice and learn, I noticed that sewing and wearing Buddha's Robe  deepened my understanding... Buddha's Robe began to express for me the essence of compassionate bodhisattva practice.  First came the effort of offering stitches without thought of gaining anything -- even finishing.  Then, in treating the robe with gentle respect as if we were  one, not two, the robe became tangibly steeped in the caring stillness and openness cultivated by practice..."

- Drawing parallels between Zen and sewing; specifically the practice of sewing a replica of
Buddha's Robe. Inset right (above) is an antique Chinese table apron. Below (inset left) is another. Both were sourced here.

***

It's been spring-like in New Mexico for the past three days... which - if nothing else - informs me that winter's on its way out and it's time for a change. Oh yeah, and it feels really nice, too... puts a little "spring" into your step... makes you think like: "Hey, maybe things aren't so bad, after all."

And maybe they're not.

Then again, I haven't posted an Interlude in some time and this blog is due for one.  You know, the slice-of-life kind of thing. For the (virtual) record, the last "slice" I blogged about was in January of last year... when I was still living in my car, photographing Sandia Crest. (See here and here.) Despite how harrowing the word "homeless" sounds, the situation was not unbearable. I was surviving; I had a self-appointed mission. And, the winter was unusually mild.

Which was okay... till my car was broken into one night (as I slept in a motel) and my camera was stolen. Although I did trying utilizing my phone's camera, the truth was the magic was gone and my mission over.

Cutting to the chase - and I always do - shortly thereafter I was to come across the star of this post: a Chinese Sewing Basket I picked up in a thrift store for one dollar and fifty cents ($1.50 USD). Apparently, those who sold it placed no great value on it. This is commonly referred to as "Buyer's Luck"; in this case, mine.

Every old artifact has a story, wouldn't you say? I can't help but wonder what this basket's was. But, I think I know. It's kind of like when two vagabonds meet or two wild entities cross each other's path. While actual words might never be spoken, a certain recognition, an insight exists. If boundaries are respected, sometimes the strangers fall in together... like this basket and I. Although technically without a home, we share an indoor space together at night. And, maybe even something more: some encoded shreds of cellular-history or a narrative... or a sub-cellular impression of movement and color.

Or, whatever dreams are made of. (Perhaps, nothing, nothing at all.)

Inset right (above) is an example of antique Chinese embroidery sourced from this site. Directly inset left is another lovely piece found here. More about Chinese embroidery can be found here. There are also Chinese Minority textiles, and an interesting, somewhat-related article here.

BTW, I sometimes have some newly-acquired quality time with my computer these days, and have begun to really work again. The image of the Chinese Sewing Basket lid was my first image this year... and, is basically a manipulation of several "live scans." Well, it's a start... just in time for the first month of the Chinese New Year.

***

Addition (April 15, 2019)

Joy - digital - 2019, DS

Well, the news around the world is sad today. Tears came to my eyes when I read about the fire at the cathedral of Notre Dame de Paris. (See the BBC report). Oddly enough, I had only learned last year that the Hunchback of Notre Dame was Victor Hugo's literary attempt to prevent the demolition of Notre Dame during the 19th century (see this blogpost). But, meanwhile, I just finished a reworking of the Chinese Sewing Basket - the last of my detours - and I was in a dead heat to put it up.

Which is not say I didn't like my original graphic... (nor is this to say I didn't keep the original file). It has a mandala-like effect that (I swear) informed a series of my dreams, embellishing them with delicate, Asian-like symbols.

But, the basket lid seemed lonely... so, I gave it an audience... a trio of brass frogs! (See The Significance of Frogs in Chinese Culture.)

Incidentally, the Chinese characters on the tag translate into the word "Joy"... something the world can never have enough of.

Back to the Mountain

It snowed in the Sandias the other day for the first time this season - you might say my third "saison en enfer" - and, although I had just shot some mountain photos over the weekend (above and after the jump) well, I had to drive back. It is, after all, both my mission and my pleasure (emphasis on pleasure).

Speaking of which, and for the record, I'm holed up in a motel again... attempting to recuperate from a respiratory infection that's been going around as of late. It's one of the hazards of the road. More human contact = more human contagions. Can't get around it. 

The good news is that I'm sleeping in a real bed again. (Ah, the luxury!) And, for this brief respite, I have a benevolent cousin and her husband to thank, who (graciously) contributed to the "cause" (i.e., my survival) this Christmas; thereby prompting me to amend this statement from my previous post: "because, quite literally, it is my friends, and only my friends, who are currently keeping me alive." In reality, family members, too, are a portion of our human equation. You'll have to forgive me; no longer having an immediate family, I forget this at times.

On the other hand, for the sake of accuracy, perfect strangers sometimes arrive out of the blue, too, lending a helping hand when least expected. For instance, at one of my lowest points earlier in the survival game, a man I never met nor even saw before suddenly approached me while I sat in my vehicle in a department store parking lot, handing me $40 (!) and saying: "Homelessness can happen to anybody." I wouldn't take his money at first, but he wouldn't take no for an answer, briskly getting in his car and driving away before any of this could register. Later, I wondered, could this have been an angelic encounter? But, no, I'm fairly certain now - despite his timely (but unwarranted) generosity - he was, indeed, a human. It took some time for me to process the information, but, well, there you have it. Humans can be unbelievably kind with no ulterior motives at all. File that in your memory banks for a rainy day...

The Mountain and the Traveler (w/ addendum - 1/1/2018)

Sandia Crest in a morning mist.
(Click on photos - above and below the jump -  for enlarged views.)

"Every morning, thousands of Pueblo people in New Mexico offer their prayers to Sandia Mountain, which towers over the Rio Grande valley. "It has been very difficult to get the outside world to understand what Sandia Mountain means to our people," says Sandia Pueblo governor Stuwart Paisano. "It is central to our identity, religion, oral history, and songs. It is a source of life and healing to us, and we have a sacred duty to protect and preserve it."

- From an article found here.

"This is the secret. And this is the power symbolized by the mountain, which grasps and gives shape to the Creative. The Chinese consider the mountain a cosmic phenomenon; not merely an accumulation of earth and stones, but a center - we might say a center of magnetic and electric forces.. Something happens in and around a mountain. Life congregates, vapors rising from the earth condense there; from the hood of the fog that covers the mountain rains dash down to earth to make earth fruitful... A living organism covers the mountain like a thin green skin... All life rejoices in the mountains solidity, and the great power of the mountain nourishes all life."

- Excerpt from Richard Wilhelm's Lectures on the I Ching.

"Throughout history, mountains have symbolized constancy, eternity, firmness and stillness. Mountain tops, notes J.C. Cooper, "are associated with sun, rain and thunder gods and, in early traditions of the feminine godhead, the mountain was the earth and female, with the sky, clouds, thunder and lightning as the fecundating male." On the spiritual level, observes Cooper, "mountain tops represent the state of full consciousness." Cooper notes that pilgrimmages up sacred mountains symbolize aspiration and renunciation of worldly desires."

"Mircea Eliade in Images And Symbols, emphasizes the mountain as the center of the earth. He says that the "peak of the cosmic mountain is not only the highest point on earth, it is also the earth's navel, the point where creation had its beginning." This mystic sense of the peak, writes Cirlot, "also comes from the fact that it is the point of contact between heaven and earth, or the center through which the world-axis passes."

- Two quotes found on this page.

***

Most days I wake up just before dawn in a kind of amnesia. Where am I? Then slowly it comes to me that I am not in my bedroom... nor any room at all.

I look up at the fading stars. How did I get here? But, then, I reach up my hand and touch the windshield of my car... and remember. This is my home. I'm a nomad now... a traveler.

I sit up, gathering myself around me... tissues of lives both past and present as palpable as the blanket and garments which are wound around my altered frame. I take one look at my face in the rear-view mirror - haggard but presentable -  and then tilt it back in place. A rose-colored dawn is beginning to suffuse the rear window. I turn the key in the ignition... the engine hums. Time to move on.

Most mornings it's just me and the ravens. They've become accustomed to me now and they know, despite the larger size of my black vehicle, I am really somewhat like them. Road-runners, hares, coyotes... I imagine they all realize that the human they've encountered is likewise wild, solitary... and merely bent on surviving. They have nothing to fear. Not even the small rectangular weapon this human carries is deadly. Well, it doesn't shoot bullets at any rate.

But, it goes without saying, that the minute I lift my camera, the birds and animals scatter. Anything in the hands of a human is suspect...

Where the Wild Things (sometimes) Are

No, I didn't plan on another "interlude post" anytime soon, but, well, we haven't had one in ages, and, as normal posting is stalled - anxiety-produced writers block again, sorry to say - I thought I'd post a photo or two of the latest visitor to my backyard... and one who just arrived today: a tiny baby jack-rabbit! Well, at least I think he or she is a jack-rabbit, as there seems to be a small community of them in the neighborhood. In any case, I've only seen the one; no sign of any siblings. The little critter was munching on a clump of grass outside the window when I spotted it. He (or she) is welcome to what little greenery exists here!


The hare is pictured in front of a small drain-pipe by the side of the house. The opening looks large enough to accommodate a baby jack-rabbit though, so maybe this one hides out there. Meanwhile, I found another wild thing in the yard today... the one and only flower in my barren landscape populated by the odd patch of grass or a troop of juvenile tumbleweeds. So, I thought I'd post it's photo, too. I have no idea what sort of wildflower it is, but, if I have time, I'll look it up.*

As for the hare, well, I did put out some bits of apple and raw spinach leaves just in case it craved something new. As I'm still trying to move out of here though, I probably shouldn't, but I'm a sucker for little furry things with long ears!

* Note: The plant is from the Mallow family, specifically Scarlet, Apricot, or Copper Globemallow (Sphaeralcea coccinea). It was used by a number of Native American tribes for everything from ceremonial use to poultices, teas and tonics (see here). It also curls your hair!

Update (May 17): No, your eyes do not deceive you. This posting has just been abbreviated from its original form. I decided it was best if I just stuck with the wildlife. And, lo and behold, just as I wrote that sentence, a real-life roadrunner - the New Mexican state bird - ran around the corner of my house not more than 12 feet from me. He was too fast for my camera but if he drops by again I'll add him here. By the way, according to the Wiki article, the Hopi and Pueblo Indian tribes believed that the roadrunner provided protection against evil spirits, while the Anglo frontier people believed roadrunners led lost people to trails.

Found Outside my Window...

Shot from my back porch, 9 AM, October 10, 2015...
(click to enlarge)

It's a beautiful day in New Mexico; the first of its kind this week. I'd been feeling badly about not yet visiting the Balloon Fiesta, which has been going on since October 3. But, as it happens, as I was passing by the patio window overlooking my backyard this morning, it almost seemed the Balloon Fiesta had come to me! Rising over the wall behind my house, so close I could see its human navigators and hear the gas jets firing, was the balloon shown above.

Thanks, guys, you made my day!

Searching around YouTube for some Fiesta videos, I came upon this one, downloaded yesterday by "Dirt Rancher", featuring a neighborhood somewhat similar to mine, but, with a whole lot more activity.

My New Mexican Adventure... (& More Balloons!!!)

New Mexican Souvenir - digital photo - 2014, DS

"Early unmanned hot air balloons were used in China. Zhuge Liang of the Shu Han kingdom, during the Three Kingdoms era (220–280 AD) used airborne lanterns for military signaling. These lanterns are known as Kongming lanterns. There is also some speculation, from a demonstration directed by British modern hot air balloonist Julian Nott during the late 1970s and again in 2003 that hot air balloons could have been used as an aid for designing the famous Nazca ground figures and lines, which were created by the Nazca culture of Peru between 400 and 650 AD."

- Via the Wiki entry for Hot-air Balloon...

That weird, brightly-colored object above is a balloon-spinner; a sort of glorified pinwheel-like contraption that, once suspended, is meant to represent one of the awesome hot-air balloons Albuquerque, New Mexico is famous for. The Fiesta itself doesn't occur till October, but, I bought it in a small shop in Albuquerque's Old Town - which sells balloon-related paraphernalia all year round - while I was visiting New Mexico earlier this month. I couldn't resist it. Hot air balloons, for whatever reason, have become a sort of totemic symbol for me in the past year... as New Mexico itself has been a sort of dream destination for ten years. But, I never knew about the Albuquerque Balloon Fiesta till I was scheduling my flight.

I had my eye on a purple balloon-spinner as well, and couldn't make up my mind... but, in the end, the New Mexican flag spinner with it's "controversial" Zia sun-symbol won the day. The symbol is controversial, in that it was more or less stolen from the Pueblo of Zia, a Native American tribe, indigenous to New Mexico. The Zia People still live in reserved lands outside of Bernalillo... and they've requested royalties for the use of their sacred symbol. All things considered, who can blame them? On the other hand, there's a satisfying symmetry in all of this: the adoption of the Zia sun symbol as the New Mexican state symbol pretty much declares that New Mexico is the land of the People of the Pueblo of Zia.

Below is a time-lapse video of a past Balloon Fiesta, courtesy of the Roadtrippers. It almost looks like an animation; but, keep in mind, all those tiny balloons darting around are actually gas-filled giants, carrying groups of people in suspended baskets (or gondolas). It has to be pretty amazing, whether you're on the ground, or in the air...